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  • re.act.feminism - a performing archive
    s interest while inspiring more and more laughter Angel M is a performance that revolves around angels What do angels and feminism have in common Both have wings Angels wear them either on their shoulders or on their foreheads like horns Or they wear them on their shoes and use them to deliver messages whizzing blindly back and forth on data streams And what do performers have in common with angels They play with all of this with the media that is in between With these words Saemann sketches her performative analysis of the work of the German performance artist Ulrike Rosenbach which she presented in 2009 as part of the performance programme of re act feminism in Berlin This video is an edited version Performance 25 January 2009 re act feminism Akademie der Künste Berlin Courtesy Andrea Saemann Document media Video colour sound 17 33 min Issue date 2009 Relations Performance Saga PER 1 Performance Saga PER 2 Ulrike Rosenbach Ulrike Rosenbach ROSE 1 Ulrike Rosenbach ROSE 2 Tags be coming networks affiliations re enactment mythology Archive Signature SAE 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=142&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    lectures which spark the audience s interest while inspiring more and more laughter In this 45 minute performance Andrea Saemann talks about her encounter with Carolee Schneemann when they met for an interview and about her fascination for her work as an artist She tells anecdotes about Schneemann s love life and life as an artist to the growing amusement of her audience She thereby portrays the attitudes of a younger generation which sometimes has difficulties understanding the actions of pioneers of feminist art Saemann s re enactment of Schneemann s Interior Scroll and her dry and humoristic narration is as close as anyone can get to an iconic performance Courtesy Andrea Saemann Document media Video colour sound 55 00 min Issue date 2005 Relations Carolee Schneemann SCHN 2 Performance Saga PER 1 Performance Saga PER 2 Tags his herstory networks affiliations painting drawing re enactment voice Archive Signature SAE 2 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=143&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    Castilla y Leo n and other artists such as Chicks on Speed see CHI 1 2 and Anat Ben David see BEN 1 They are currently working on the multi disciplinary long term art project El Ritual MM This performance was created by the sociologist Patricia Soley Beltra n alias Dr Soley who performed it together with the artist collective Les Salonnie res Ester g Meci as Ce lia Prats and Meritxell Romanos In groups of up to four women the performers walk through the city centre of Barcelona wearing raincoats and sun glasses They seem mysterious and somewhat suspicious Suddenly they open their coats like exhibitionists to show the passers by their T shirts with the slogan Nobody Knows I m a Feminist Serious but also humorously self ironic they present their political views through a version of male exhibitionism Courtesy Les Salonnie res Format video colour sound 2 30 min Issue date 2013 Tags collectivity femininity laughter humorous participation pleasure ritual Archive Signature SAL 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=297&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    expression as a protest medium to pose feminist questions through publications lectures exhibitions and workshops This piece is a re enactment of the performance from 1973 by Mierle Laderman Ukeles entitled The Garbage Girl which consisted of washing the stairs of an official government building Through the reconstruction of this action Sábada hoped to make an analysis of the representation of women in the art world and the space that she occupies in it as an artist who understands her work in terms of cultural production Once again this work is about moving texts towards a new space of her own creation and thus establishing a dissonance between the image and the space where the performance is conducted Texts Estíbaliz Sábada Courtesy Estíbaliz Sábada Document media Video colour sound 5 00 min Issue date 2007 Tags housework carework institutional critique labour re enactment Archive Signature SAB 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=141&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    and uniform colour fields She also chose a location for her land art that has historical significance for the Czech national consciousness During the Hussite Wars in the 15th century a decisive battle took place in the vicinity of Sudomere in southern Bohemia According to legend the Hussites victory was primarily due to their women They put their head scarves on the wet meadows and these entangled the enemy This landscape symbolically monopolised by historiography as male violent and military is marked in a radically different way by Zorka Ságlová and other women through their personal traces By using cloth diapers an object that is close to the body and intimate she refers to the growing life worth protecting as well as to a domestic mostly feminine activity that she transfers to a public place steeped in history She also draws attention to what was still a blind spot in art the woman as artist and mother Courtesy Jan Sa gl Zorka Sa glova Estate Document media Photographs Issue date 1970 To be seen in Centro Cultural Montehermoso Vitoria Gasteiz Spain 7 October 2011 15 January 2012 Tags his herstory housework carework private public nature Archive Signature SAG 1 Back

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=193&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    and live music were hallmark events in the GDR In 1986 Schlegel emigrated to West Berlin Today she lives in Dresden where she works as a painter Strukturen I und II Structures I and II by experimental filmmaker Christine Schlegel is a collage typical for the cross over spirit of the Dresden art scene in the early 1980s an exemplary mixture of elements from painting music and performance art Schlegel painted over and scratched the exposed footage creating manifold combinations of painterly particles reminiscent of Fluxus films Courtesy Christine Schlegel Document media Super 8 film colour sound 16 18 min Issue date 1984 1985 Tags dance choreography painting drawing Archive Signature SCH a 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening health illness his herstory housework carework human non human animals in visibility inscription institutional critique intimacy labour language laughter humorous lecture performance manifesto

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=144&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    love with a Stasi informer Part of a series of super 8 films made between 1982 and 1984 Unter weißen Tüchern Under White Fabrics was intended to form a surreal individual counterweight to the narrow definition of artistic images decreed by the state A woman is tied to a door which constantly opens and closes Her body is completely tied up the eyes are the only parts of her body she is able to move This is an allegorical image for the way in which the artist and her comrades in arms were locked up inside the GDR Courtesy Cornelia Schleime Video Forum of Neuer Berliner Kunstverein n b k Document media Super 8 film colour sound 8 46 min Issue date 1983 Tags dreamscapes in visibility masquerade private public state oppression Archive Signature SCH b 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=145&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    Schneemann s work are gender roles sexuality war memory and death Meat Joy is an erotic rite excessive indulgent a celebration of flesh as material raw fish chicken sausages wet paint transparent plastic ropes brushes paper scrap Its propulsion is towards the ecstatic shifting and turning among tenderness wildness precision abandon qualities that could at any moment be sensual comic joyous repellent Physical equivalences are enacted as a psychic imagistic stream in which the layered elements mesh and gain intensity by the energy complement of the audience This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression Paris Dennison Hall London and Judson Church New York City Carolee Schneemann Copyright VG Bild Kunst Bonn 2012 Courtesy Electronic Arts Intermix EAI New York Document media 16mm film colour sound 10 35 min Issue date 1964 2010 Relations Laura Cottingham COT 1 Performance Saga PER 1 Sands Murray Wassink MURR 1 Tags collectivity flesh fluxus happening pleasure touch Archive Signature SCHN 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=146&e=t&v=&a=&t= (2016-05-01)
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