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  • re.act.feminism - a performing archive
    which is not just intellectual but also bodily and physical The physical properties of natural materials sand stones seaweed trees and the sea acquire in her work a fundamental weight and are at the same time linked to a rediscovered feminine symbology in opposition to the dominant culture In Petjades Footprints Fina Miralles walks around the city leaving traces of her name on the streets Miralles subtly positions herself against the custom of women taking their husband s surname when they marry conveying her identity and independence in public space Courtesy Fina Miralles Document media Super 8 film colour sound 2 48 min Issue date 1976 Tags inscription public space Archive Signature MIR 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening health illness his herstory housework carework human non human animals in visibility inscription institutional critique intimacy labour language laughter humorous lecture performance manifesto
    http://www.reactfeminism.de/entry.php?l=lb&id=113&e=t&v=&a=&t= (2016-05-01)


  • re.act.feminism - a performing archive
    with different media including painting perform ance and video She rediscovered painting again in the late 1970s Relacions Relacions del cos amb elements naturals cobriment del cos amb palla Relationships Relationships of the body with natural elements Covering the body with straw belongs to a subsequent series in which the artist s body is fused with a range of natural elements establishing a full identification with it forming a single unit of interchangeable values revolving around the eternal processes of destruction and rebirth of nature Copyright Museus Municipals de Sabadell Ajuntament de Sabadell Document media 5 b w photographs on card board Issue date 1975 To be seen in Centro Cultural Montehermoso Vitoria Gasteiz Spain 7 October 2011 15 January 2012 Tags extended body nature Archive Signature MIR 3 P Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening health illness his herstory housework carework human
    http://www.reactfeminism.de/entry.php?l=lb&id=205&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    violence carried out against the female body in a repressive society The variations on the covering of the face conjugate women s inability to express communicate and receive leading to the disappearance and negation of their own identity and eventually to their invisibility In the 1980s Fina Miralles devoted herself to painting In her series Fragments the immersion of the body in the landscape was still an essential element in that phase where she took her work a step further delving into her inner psychological landscape Copyright Museus Municipals de Sabadell Ajuntament de Sabadell Document media 5 photographs on card board Issue date 1976 To be seen in Centro Cultural Montehermoso Vitoria Gasteiz Spain 7 October 2011 15 January 2012 Tags dis appearance in visibility sexual violence violence Archive Signature MIR 4 P Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening health illness his herstory
    http://www.reactfeminism.de/entry.php?l=lb&id=206&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    series on natural artificial duality Through the conceptual and physical passage of natural and physical elements emerges a play of de contextualisation and re contextualisation which reveals the distance which joins and separates us from the natural realm The identification of women with the creative force of nature is carried out from the literal insertion of the artist s body in the landscape penetrating the land and creating a new and powerful reinterpretation of the stereotypical image of women as mother earth mother woman in relation to telluric forces in the face of an intensely patriarchal society Courtesy Fina Miralles Museus Municipals de Sabadell Ajuntament de Sabadell Document media 3 b w photographs on card board Issue date 1973 To be seen in Centro Cultural Montehermoso Vitoria Gasteiz Spain 7 October 2011 15 January 2012 Tags extended body nature Archive Signature MIR 2 P Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion
    http://www.reactfeminism.de/entry.php?l=lb&id=223&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    sense of humour and sprinkled with a Dadaist touch they sing about absurd day to day situations and deal with an odd mixture of light hearted and serious topics such as friendship love mass consumption animals and youth suicide Underneath their dresses the artists wear tight fitting Lycra coveralls with black and white stripes that are reminiscent of a prisoner s uniform from years ago The costume change plays an equally important part in the performance It is used to question feminine stereotypes in an ironic and casual way on the one hand and on the other to depict a fluid transition from one role to the next The artists performance takes place on a mini stage installation entitled Home created by Lisbeth Hermansen Yet it ironically produces an impersonal effect of being a corridor between offices Molly and me sing talk dance hop around playing all sorts of instruments lying around the stage questioning gender stereotypes casually and playfully Video Jo rn Burmester Courtesy Molly Haslund and Catherine Hoffmann Document media video Issue date 2011 Tags dance choreography laughter humorous music Archive Signature MOL 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on
    http://www.reactfeminism.de/entry.php?l=lb&id=248&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    together for one year in a living performance Montano s work from the 1970s and early 1980s was critical in the development of video by for and about women Using performance as a means of personal transformation and catharsis Mitchell s Death mourns the death of Linda Montano s ex husband Every detail of her story from the telephone call announcing the tragedy to visiting the body is chanted by Montano as her face pierced by acupuncture needles slowly comes into focus then goes out again The chanting is reminiscent of Buddhist texts while the needles signify the pain that is necessary for healing and understanding Courtesy Video Data Bank Chicago Document media Video b w sound 22 20 min Issue date 1977 Relations Laura Cottingham COT 1 Annie M Sprinkle SPR 1 Tags death ritual therapy Archive Signature MON 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh
    http://www.reactfeminism.de/entry.php?l=lb&id=114&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    w silent 4 14 min Charlotte Moorman at the Howard Wise Gallery 1969 colour silent 1 43 min TV Bed the Everson Museum of Art New York 1972 b w sound 1 10 min TV Cello 1973 performance b w silent 1 42 min Waiting for Commercial 1972 performance b w sound 8 20 min New Television Workshop 1971 performance colour sound 7 25 min Newly restored rare performance material from Nam June Paik s personal archives includes documentation of Paik s emblematic collaborative pieces with Charlotte Moorman such as TV Bed TV Cello and TV Bra These works were performed at ven ues that resonate in video art history such as the Howard Wise Gallery the Everson Museum of Art and the WGBH television studio Several performance documents are without sound Courtesy Electronic Arts Intermix EAI New York Document media Video b w colour sound silent 25 08 min Issue date compiled 2000 Tags fluxus gaze happening mass media music Archive Signature MOO 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism
    http://www.reactfeminism.de/entry.php?l=lb&id=115&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    her art For the sculpture River Mud Murak extracted river mud and grass from their natural environment in an outwardly ritualistic action She then spread the organic material on large surfaces in a gallery where it dried and eventually died Murak bases her so called earth sculptures on a contradictory aesthetic relationship between organic and distinct abstract forms Murak s poetic imagery in her performances and installation works located either indoors or in rural or urban exterior spaces makes visible the principles of life growth and decay inherent in her art material in a more compact form Her use of organic materials reflects the ephemeral nature of these actions Performance 1989 Muzeum Ziemi Chełmskiej Video Wojciech Majewski Courtesy Teresa Murak Galeria Labirynt Lublin Document media Video colour sound 4 40 min Issue date 1989 Relations Natalia LL LL 1 Ewa Partum PAR 1 Tags nature painting drawing private public ritual Archive Signature MUR 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability
    http://www.reactfeminism.de/entry.php?l=lb&id=116&e=t&v=&a=&t= (2016-05-01)