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  • re.act.feminism - a performing archive
    Effective Political Tool Also in the 1980s she participated in the Feminist Studio Workshop at the Woman s Building in Los Angeles In 1983 she and Maris Bustamante founded the first feminist art collective in Mexico Polvo de Gallina Negra Black Hen Powder Quiero hacer el amor I Want to Make Love is a series of postcards mixing performance participatory and mail art Mónica Mayer said They are like the tests one finds in women s magazines My face shows different reactions and there are instructions at the bottom for people to fill in according to how they feel about a phrase that changes in each postcard answering the statement I want to make love with Answers included my father in a packed theater myself and get paid etc It s cute to see they were actually quite shocking at the time Mail art project Casa de la cultura Bondojito Mexico Courtesy Mónica Mayer Document media Postcards Issue date 1978 Relations Maris Bustamante BUS 1 Maris Bustamante BUS 2 Polvo de Gallina Negra POL 1 Tags desire normativity participation sexualities Archive Signature MAY 2 P Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook
    http://www.reactfeminism.de/entry.php?l=lb&id=107&e=t&v=&a=&t= (2016-05-01)


  • re.act.feminism - a performing archive
    nature Mendieta was involved in numerous feminist art projects such as Artists in Residence Gallery New York but she remained critical toward mainstream white feminism which marginalised black women and immigrants She died young due to a tragic accident Ana Mendieta s works revolve around the four elements the human body and traditional rituals They represent the often painful conditions of human existence which she investigates in self experiments Sweating Blood shows Mendieta s head in a close up Blood collects on her forehead and begins to trickle down slowly She meditatively lives through a seemingly painful condition resting with a kind of voodoo calm Courtesy Galerie Lelong New York Document media Super 8 film colour silent 3 00 min Issue date 1973 Relations Laura Cottingham COT 1 Tags pain ritual sexual violence Archive Signature MEN 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening
    http://www.reactfeminism.de/entry.php?l=lb&id=108&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    projects such as Artists in Residence Gallery New York but she remained critical toward mainstream white feminism which marginalised black women and immigrants She died young due to a tragic accident Between the years 1973 and 1980 Ana Mendieta created a series of works collectively entitled Silueta originating on trips between the US state of Iowa and Mexico They all share in common the formal element of the artist s silhouette represented and filled with organic materials such as rocks branches and flowers This film Alma Silueta en Fuego Soul Silhouette on Fire originally recorded with a Super 8 camera shows a ghostly silhouette on the ground that catches fire and burns up Courtesy Galerie Lelong New York Format Video performance Document media Super 8 film colour silent 3 30 min Issue date 1975 Relations Laura Cottingham COT 1 Tags dis appearance migration nature ritual Archive Signature MEN 3 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance
    http://www.reactfeminism.de/entry.php?l=lb&id=109&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    she remained critical toward mainstream white feminism which marginalised black women and immigrants She died young due to a tragic accident Filmed by Breder in Mexico but clearly depicting a scenario of Mendieta s devising the four minute thirty second Super 8 film again finds a young woman in shallow water Mendieta covered in the white feathers she sometimes utilized for her performances of the era But rather than functioning as a lolling sexualized icon of classical femininity as the female subject did in the work s Iowa analog of three years earlier Mendieta is here vitally committed to her own activity allowing herself to be tossed on the waves and onto the shore where she s washed into the branches of a downed tree Jeffrey Kastner Courtesy Galerie Lelong New York Document media Super 8 film colour silent 4 30 min Issue date 1974 Relations Laura Cottingham COT 1 Tags dis appearance extended body human non human animals nature Archive Signature MEN 2 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft
    http://www.reactfeminism.de/entry.php?l=lb&id=110&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    continents and has broken new ground working with new telecommunication media She uses soft impermanent materials and focuses on the participation of the audience and the release of collective energy The work of art is the instant in which the individual lives not the thing The advent of development and not of forms which end up relegated to the level of accessories A society s art in constant change cannot be by any means a static image Marta Minujín The film documents several of Marta Minujín s most spectacular works from the late 1960s which explore new media such as El Batacazo 1966 Simultaneity in Simultaneity 1966 Super Heterodyne 1967 Minuphone 1967 and Minucode 1968 Documentary film by Maria Flores Courtesy Marta Minujín Document media Film colour sound 6 30 min Tags extended body happening pleasure participation public space state oppression Archive Signature MIN 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure
    http://www.reactfeminism.de/entry.php?l=lb&id=111&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    broken new ground working with new telecommunication media She uses soft impermanent materials and focuses on the participation of the audience and the release of collective energy The work of art is the instant in which the individual lives not the thing The advent of development and not of forms which end up relegated to the level of accessories A society s art in constant change cannot be by any means a static image Marta Minujín The film features several works from the early 1980s that feature large scale actions in public urban spaces such as La torre de James Joyce en pan 1980 Carlos Gardel de fuego 1981 and El Partenón de libros 1983 Document media Video colour sound English subtitles 5 00 min Issue date 1980 1981 1983 Tags extended body happening participation pleasure public space state oppression Archive Signature MIN 2 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion
    http://www.reactfeminism.de/entry.php?l=lb&id=112&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    the participation of the audience and the release of collective energy The work of art is the instant in which the individual lives not the thing The advent of development and not of forms which end up relegated to the level of accessories A society s art in constant change cannot be by any means a static image Marta Minujín La Destruccion The Destruction is Minujín s first happening Interested in collaborative practices she invited artists such as Christo and Lourdes Castro to create tear down recreate and eventually burn their sculptural installations in a vacant lot in Paris The happening s final action was to free 500 birds and 100 rabbits on the lot Courtesy Marta Minujín Document media Video colour sound 3 00 min Issue date 1963 To be seen in Centro Cultural Montehermoso Vitoria Gasteiz Spain 7 October 2011 15 January 2012 Tags destruction happening participation public space Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes
    http://www.reactfeminism.de/entry.php?l=lb&id=186&e=t&v=&a=&t= (2016-05-01)

  • re.act.feminism - a performing archive
    of art is the instant in which the individual lives not the thing The advent of development and not of forms which end up relegated to the level of accessories A society s art in constant change cannot be by any means a static image Marta Minujín El Obelisco de Pan Dulce The Obelisk in Sweet Bread is a metal structure built in the shape of the obelisk erected in 1936 to commemorate the four hundredth anniversary of Buenos Aires founding Minujín covered the 118 feet patriarchal national symbol with over ten thousand wrapped cakes and installed it at the Feria de Las Naciones Fair of Nations in Buenos Aires The anti monument was exhibited for eleven days and then toppled down and eaten Courtesy Marta Minujín Document media 10 b w photographs Issue date 1979 To be seen in Centro Cultural Montehermoso Vitoria Gasteiz Spain 7 October 2011 15 January 2012 Relations Marta Minujín MIN 2 Tags extended body happening participation pleasure public space state oppression Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity
    http://www.reactfeminism.de/entry.php?l=lb&id=187&e=t&v=&a=&t= (2016-05-01)