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  • re.act.feminism - a performing archive
    an audience The resulting images both reveal and obscure the artist s presence In Ouve me Hear Me the artist is behind a see through gauze screen seemingly performing from within the canvas She sucks air in with her mouth and with it the gauze She writes ouve me behind the gauze then crosses it out with a pen held in her mouth As in many of Almeida s works the border between visibility and invisibility appearance and disappearance speech and silence is a subject of exploration Ouve me is part of the 1978 79 trilogy Sente me Ouve me Vê me Feel Me Hear Me See Me Courtesy Helena Almeida Document media Video b w silent 4 50 min Issue date 1979 Tags gaze in visibility painting drawing Archive Signature ALM 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening health illness his herstory

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=8&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    relationship between artist and viewer using photography and film to share her performative studio practice with an audience The resulting images both reveal and obscure the artist s presence Vê me See me is an audio recording of the artist while drawing By analogy with musical scores the artist wanted to explore the sound of her drawings A description in Portuguese and English can be read while listening to this DVD Vê me is part of the 1978 79 trilogy Sente me Ouve me Vê me Feel Me Hear Me See Me Courtesy Helena Almeida Document media Video b w sound 30 00 min Issue date 1979 Tags gaze in visibility painting drawing sound Archive Signature ALM 2 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening health illness his herstory housework carework human non human animals in visibility inscription institutional critique intimacy labour language laughter

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=9&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    the years she has continued to develop her fictional personae while also creating new ones As in her works The Ballerina and the Bum and The Adventures of a Nurse 1976 The King is one of Eleanor Antin s performances in which she takes on the identity of a fictional persona She can be seen here applying hair to her face as Antin writes going through a variety of bearded faces seeking the identity most appropriate to her facial structure and satisfying to her aspirations The artist transforms herself into the persona of a male ruler Courtesy Electronic Arts Intermix EAI New York Document media Video b w silent 52 00 min Issue date 1972 Relations Laura Cottingham COT 1 Tags be coming de construct identities masculinity masquerade roleplay Archive Signature ANT 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct identities death desire destruction dis ability dis appearance dreamscapes durational performance exhaustion extended body failure fashion glamour femininity flesh fluxus fragmentation gaze happening health illness his herstory

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=10&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    on top of a hill just before sunset The artist clad in an elaborate ceremonial outfit performs Balinese dance movements around a white circle painted on the ground with a large bottle of Coca Cola standing upright in the middle The artist wearing black sunglasses holds two plastic toy guns in her hands incorporating them as ritual elements of the dance During the performance she shakes the Coke bottle and eventually opens it with an explosion of pent up carbonation that spills into the smaller circle Mantras can be heard on a CD player whose singing mixes with the electronic sounds of the guns producing a cacophony of sound Through a game of extremes between sacred and profane between the religious objects and the cheap ones of mass consumption Arahmaiani introduces dissonant elements in her interpretation of society and questions its ritualisation reflecting on its tensions and contradictions Courtesy Arahmaiani Document media video Issue date 1997 Tags ritual dance choreography activism consumerism Archive Signature ARA 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=231&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    from A Z is made up of a series of performances taking place at a Buddhist temple in Chiangmai Thailand and questions the growing problem of prostitution in Asia In the second performance of the series the artist s body is lying on a stone distributing pages from pornographic magazines to the audience These pages are set on fire as a type of ritual offering thus establishing an unsettling connection between the religious and the profane between tradition and the social reality Later Arahmaiani lies on the floor covering herself with white sheets stained with blood Lining both sides there are offering plates and two rows of weapons The blood represents violence and at the same time is a metaphor for the duality that Asian women face praised and respected for their fertility and yet discriminated against for their menstruation by being prohibited access to the temples and holy sites Courtesy Arahmaiani Document media video Issue date 1996 Tags ritual activism Archive Signature ARA 2 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=232&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    part of the YES Association together with A sa Elze n and Johanna Gustavsson Through her artistic method which is based on both collaborative and independent work the artist explores feminist and gender critical issues Malin Arnell s performances No Title Too Many Questions explore how specific forms of social behaviour are dependent on the different locations of the performance The performance pieces which last between two and four hours and take place all over the city aim to overcome normative rules of social interaction The actions which took place in Stockholm in 2006 were not announced on site but the participants had been pre selected In contrast in 2008 in Uppsala those inhabitants who were involved were taken by surprise and thus became involuntary participants who were unaware of the action s artistic character Courtesy Malin Arnell and Linda Arnell Document media photographs Issue date 2006 2008 Relations High Heels Sisters HIG 1 Line Karlström KAR 1 Tags normativity durational performance participation Archive Signature ARN 1 P Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=234&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    videos Courtesy Oreet Ashery Document media Video colour sound 16 00 min Issue date 2000 Tags be coming conflict de construct identities masculinity queer drag roleplay Archive Signature ASH 1 Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging appropriation authorship be coming beauty body control body object relation cabaret capitalism childhood collectivity conflict consumerism craft dance choreography de construct

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=11&e=t&v=&a=&t= (2016-05-01)
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  • re.act.feminism - a performing archive
    the commander in chief of the Israeli army in the 1950s Moshe Dayan the Hamas member Mousa Mohammed Abu Marzouk the current Israeli foreign minister Avigdor Lieberman who is notorious for his extreme views and Yasser Arafat Ringo Starr Throughout this process the amount of hair on her head increases to fit the hair of the four protagonists starting with the almost hairless Moshe Dayan and ending with the full beard and the full head of hair of Yasser Arafat Ringo Starr In the end the two assistants taking part in the performance begin gluing more and more hair on Ashery s body and head The performance is documented in 5 Polaroid pictures taken during Ashery s transformation into a hairy monster The video consists of found footage of the four public figures Courtesy Oreet Ashery Document media 5 photographs 4 posters video colour sound 20 00 min Issue date 2009 2011 To be seen in Centro Cultural Montehermoso Vitoria Gasteiz Spain 7 October 2011 15 January 2012 Tags be coming conflict de construct identities masculinity metamorphosis queer drag trash violence Back to selection Complete Archive About the project Partners Imprint Contact Find us on facebook abstraction activism aggression aging

    Original URL path: http://www.reactfeminism.de/entry.php?l=lb&id=184&e=t&v=&a=&t= (2016-05-01)
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