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  • marameo
    at Freie Kammerspiele 1998 to 1999 he went back to Theatrestudio 4xC in Sofia He worked as a dancer and choreographer on international stages in Caen Madrid Sevilla Cairo Vienna as well as in Mexico and of course in Berlin where he joined the state recognized Ballettschool of Berlin In 2011 he joined the Collective die Elektroschuhe He has also appeared in various dance related and experimental videos and movies Erol Alexandrov lives and works as a dance teacher and artist in Berlin Class description Training for dancers and performers This class draws upon my studies in yoga gymnastics and contemporary dance techniques with an emphasis on the skeletal structure and the dynamics of breathing and movement Deep and intensive daily practice for releasing restrictive tensions lengthening and strengthening the muscles and finding clear support through the bones We will progress successively from floor exercises to standing This class is designed as a training class for the body leading to an enhanced awareness and freedom of movement that may be applied to a variety of styles My intention is to offer ways to integrate the body mind and breath so the dancer can become a clearer channel for creative and

    Original URL path: http://www.marameo.de/gd_erol.php (2016-04-24)
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  • marameo
    him as a dance artist for a prestigious research project in 2014 Last years he is teaching sharing regularly advance level classes workshops in Germany Belgioum Luxemburg Switzerland Italy Greece invited dance artist in David s Zambranos workshops last 3 years together with Xenia Alexandrou they are the founders of Porson s Khashoggi dance collective that they are interesting what new dance technologies can bring in front or in the back of the audience Class description The class makes focus on sharing materials ways in order to use always the maximum of our eyes as an observer to carry us in space in a 3D motion Observing receiving reading all the space informations with opening more possibilities Broadening our view with hugging a bigger picture in space creating new space outside inside our bodies The warm up is based mostly in the floor work in which the body weight is supported from it muscles are weightless The awareness of weight traveling through the center from side to side or part to part will be constantly mentioned Working on dynamics momentums of moving fast into across the floor Understanding observing the possibilities of the space which is created through the eyes Changing traveling Using our breath or our sounds as a coordinator of the flow Playing with the movements is a challenge of risk taking for each moment both physically and performatively A composed phrase is given that will be developed in the course of his classes and then combing this with materials that have been already introduced during the class I am interested in taking decisions considering the present investigating the Now Creating our own rules in our own bodies The class is based on personal research Reflexology influenced from David Zambrano Gastdozenten Klassisches Tänzertraining 16 05 22 05 2016

    Original URL path: http://www.marameo.de/gd_andreas.php (2016-04-24)
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  • marameo
    is currently an instructor of contemporary modern dance at the Tanzakademie Balance 1 and Marameo Travelling often as a dance teacher she offers her training to a variety of european companies studios and city theaters She has received her Yoga certification from the Academy of Yoga in Grand Junction Colorado under the direction of certified Iyengar yoga teacher James E Bryan She is continuing her education as a yoga teacher with Ananda Leone at the Yoga Akademie Berlin Classdescription Jennifer Mann teaches the Weiss Mann technique This style was developed in collaboration with creative partner Heidi Weiss and combines traditional modern technique with influences from the Alexander technique Release and Yoga It s main focus is in exploring a balance between one s technical skills and the capacity to flow and move through space freely As the class progresses the distinctions between these 2 categories begin to soften and fuse into one Movements that are traditionally considered technical become more organic more full of breath life and volume Contemporary movements become infused with more clarity length and control Dancers will be encouraged to first experience their muscular energy and then to conciously direct it into space Each class begins with centering excercises has a technical warm up evolves into across the floor and concludes with a longer combination that integrates all of these elements Particular movement themes such as rhythm and musicality quick directional and level changes floorwork or initiation of movements from specific body parts the fingertips the toes the crown of the head the hip the sternum etc will be explored Dynamics play an important role Questions will be addressed such as How do we smoothly come in and out of the floor How do we suspend longer in a turn How do we let go and regain

    Original URL path: http://www.marameo.de/gd_jennifer.php (2016-04-24)
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  • marameo
    Koula Pratsika Foundation scholarship and started performing for several choreographers and companies such as Dimitris Papaioannou Oktana Dance Theater Jukstapoz In the end of 2010 he moves to the Netherlands where he is working for Dorit Weintal Dansmakers Amsterdam to continue later in Berlin as a member of the cie Toula Limnaios for the year 2011 In 2012 he started working with Sasha Waltz Guests participating in the education dance project MusicTANZ Carmen of the Berliner Philharmoniker and in 2013 in Sacre Class Description The whole class is based and structured on and around the perception of human presence and intention The class starts with a soft and gradual warm up through guided improvisation When the body arrives to a certain awareness structured exercises in the form of small understandable phrases stimulate coordination rhythmicity interaction and the ability to produce movement in a wider range of qualities and control Arriving to a common field with the group we conclude putting the tools we used and discovered into a longer dance phrase that encourages individuality as a fundamental of coexistence in space Gastdozenten Klassisches Tänzertraining 16 05 22 05 2016 Chandana M Hörmann Gastdozenten Zeitgenössisches Tänzertraining 18 04 22 04 2016

    Original URL path: http://www.marameo.de/gd_adonis.php (2016-04-24)
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  • marameo
    Method The work of Zooz is appropriate for the explorer as well as the professional Class Description The Zooz Method by Opay L Goldberg An interactive performance Workshops Stage installation and Research It is mind that makes the physique untamed versatile and Rich Zooz in Hebrew has a double meaning it is the short verb used to encourage motion in the world of forms and also to describe the agility required to flow between experiences in a less visible yet very real sense A session of Zooz Method begins with an active warm up to awaken and call out a physically tuned and aware body mind The warm up is used to aggregate a focusing intense mode of operation as groundwork for the next to come Then several scenes are created in which I propose tasks questions and pointers The instructions essentially offer a direction and not a destination Every Scene acts as a mirror reflecting the Energy the Emotions and the Intensity of real time performance The work aspires to offer dancers and all those who call for a mind turn through body manifest Gastdozenten Klassisches Tänzertraining 16 05 22 05 2016 Chandana M Hörmann Gastdozenten Zeitgenössisches Tänzertraining 18

    Original URL path: http://www.marameo.de/gd_opay.php (2016-04-24)
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  • marameo
    the age of twenty he left Brazil to go to Lisbon Portugal to attend the Escola Superior de Dança and work with some companies Companhia de Dança de Almada Company Istável At this time he also started to develop his own work as choreographer and teacher by blending all the influences that he had experienced in dance with a lot of energy and momentum After working with Helder Seabra in Company Istável Porto Portugal he moved first to Amsterdam and then to Brussels to work with Bruno Caverna Gerard Mosterd Dogwolf Chris de Feyter Willy Dorner and Ultima Vez Wim Vandekeybus While working with the Belgian company Ultima Vez Ricardo Ambrozio has started to gather his own cultural projects choreography video text and photo under one name one roof one mark Untamed In August 2014 he left Ultima Vez in order to invest all his time and energy in his own creations and collaborations He was part of the last two creations of Helder Seabra Helka When the birds fly low the wind will blow and In Absentia Never dropping is urge to create he made a solo A sweet lullaby to Mr Nameless and is premiered a duet with Celine Werkhoven Homemade last month The second piece of Untamed Productions Homo Urbanus will be finished in June 2016 vimeo com 122565479 www untamed productions com ricardoambrozio wix com summerintensive Class description A class of high physicality based on elements of flying low parkour break dance martial arts and capoeira in order to establish a language in common and explore the limits of eachone stretching them until the limit and further Untamed method aims to unleash the unknown power that our body and mind releases in situations of extreme stress danger and or pleasure Fed by basic natural ways of

    Original URL path: http://www.marameo.de/gd_ricardo.php (2016-04-24)
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  • marameo
    with choreographers like Martin Stiefermann Staatstheater Oldenburg Susanne Linke Mirela Waingarten Komische Oper Nir De Volff Total Brutal Santiago Bloom Die Geschichte Vom Soldaten Elik Since 2009 he was creating and performing with the company Constanza Macras DorkyPark as well he was working as a rehearsal manager in several of the companies productions 2013 2014 he worked in Shasha Waltz guest company for ZKM project and Tannhäuser In the last 2 years Elik has been teaching in several Schools and studios in Europe and Israel such as Berlin Motion Hamburg Hip hop Academy Norway Dansens Hus Oslo Israel MASPA Gaaton Masa BA program and more Classdescription Floor Work The class is based on floor work Technique combined with elements from Acrobatics and Martial Arts It focuses on different aspects of floor work through the control of energy and anatomy the organization and coordination of the body while being upside down how to go in out the floor in the most economic and flowed way thanks to the use of gravitation and momentum Through this physical journey the body enlarges its movement vocabulary In addition to technique the class gives a strong emphasis on right preparation of the body in short

    Original URL path: http://www.marameo.de/gd_elik.php (2016-04-24)
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  • marameo
    Jack is a sought after teacher and workshoper in contemporary dance technique choreography and improvisation and appears regularly at Dutch dance academies and internationally in open studios and summer programs Jack is an autodidactic studier of philosophy and psychology and currently enjoys a 2 year research fellowship at the Danslab in Den Haag The Netherlands While at the Danslab until 2011 Jack will be is busy combining Performative Speech Act Theory with his technique and improvisation background Classdescription The class begins standing It stretches co ordinates and strengthens the body with a series of exercises based on expanding the body s interaction with space The emphasis is on the potency of thinking in directions and specific body parts The class builds towards complex direction changes and leaving the floor You learn to combine different mental and physical aspects simultaneously The duality in dance of what is considered formal or informal resolves into newer more contemporary issues energy management inner and outer spacial interaction sequencing your action and a multi voiced body THE PRINCIPLES The main principle in the class is to work with internal and external directions as opposed to forms Gallagher s vigorous release class is a comprehensive view on the inter dependancy of structural body parts trunk legs head brain language signal The questions like What goes where and What effects what are very different to form based techniques and consequently give different results You learn to move bigger and more spatially with less resistance and friction You loose your fear to take risks become fast in changing directions By training the use of methodological sequencing a transparency arrives The focus in training goes toward generating and processing instead of end gaining You become less concerned with judging yourselves and you will learn to work in a mentally

    Original URL path: http://www.marameo.de/gd_jack.php (2016-04-24)
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